Circles (Berio) Circles is a composition for female voice, harp and two percussionists by the Italian composer Luciano Berio. Written in Circles is a setting of. Documents Similar To Berio Circles. Berio – Sequenza IX a for Clarinet(). Uploaded by. julio Berio String Quartet. Uploaded by. Lyra Kastrati. Berio. View credits, reviews, tracks and shop for the Vinyl release of Circles · Sequenza I, III, V on Discogs.
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Circlescommissioned by the Fromm Foundation, was composed in and first performed in August of that same cicles during the Circls Music Festival by Cathy Berberian and members of the Boston Symphony Orchestra. Circles develops musically three poems by e.
In Circles the three poems are arranged in the following order: I had no intention of writing a series of vocal pieces with harp and percussion accompaniment; rather, I was interested ccircles elaborating the three poems in a circular way so that a unified form resulted, where the different levels of meaning, the vocal action and the instrumental action would strictly condition each other, even on the plane of phonetic qualities.
The theatrical aspects of the performance are inherent in the structure of the work itself which is, above all, a structure of actions: Even if Berio’s Circles points circlrs the major musical interests of its time, especially at the level of the use of a text’s phonetic traits, its truly innovative qualities lie in the way the study of a simple development on the basis of a physical analogy between the phonetic and instrumental material is carried out to the benefit of a deeper exploration of all aspects of linguistic and musical organization.
In this sense, the text is a base line from which everything can be derived and to which everything can be traced back. Circles is the result of a convergence between a type of literature that since the berjo of the century “Finnegans Wake” would be an extreme case has achieved a “musical” autonomy and an explosion of traditional forms and a type of music which attempts, by means of the structures of spoken language, to win back the characteristics of all language, whether musical or linguistic.
Circles (programme note)
Luciano picked out three poems by Cummings and asked me to read them as I wanted to, paying attention to the particular distribution of the text, the unusual word breaks, and the capital letters that emphasized certain sounds. Then he wrote out the relationship between me and the instrumentalists, who were to produce sounds similar to the word that I was pronouncing, and I was to adjust the sound of the spoken word to the sound of the instruments.
For example, the word “sting-” at the beginning corresponds exactly to the sound of the harp. This was a circlee new kind of interaction for me, a kind of permanent exchange, an extraordinarily stimulating challenge.
Our composers Luciano Berio Works Circles. circels
Circles Year of composition: Luciano Berio Text author: Commissioned by the Fromm Foundation Duration: License request Hire request. Circles Luciano Berio Circles. Next work Compass Luciano Berio Compass.
Text and Music in Luciano Berio’s Circles